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"Nick and Norah" Offers Charming Cast but Weak Story
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"Nick and Norah" Offers Charming Cast but Weak Story
By Stephen McGarvey
Crosswalk.com Executive Editor

Release Date:  October 3, 2008

Rating:  PG-13 (for mature thematic material including teen drinking, sexuality, language, and crude behavior)

Genre:  Independent, Comedy, Romance

Run Time:  90 min.

Director:  Peter Sollett

Actors:  Michael Cera, Kat Dennings, Aaron Yoo, Rafi Gavron, Ari Graynor, Alexis Dziena, Jonathan B. Wright, Jay Baruchel 

Michael Cera, to borrow a line from 1980s musical icon Huey Lewis, has made it “hip to be square.”

In his most recognizable roles on TV’s Arrested Development and the films Superbad and Juno, Cera plays the geeky hipster with aplomb. His latest film role as the Nick of Nick and Norah’s Infinite Playlist floats across the screen like it was written just for Cera, showcasing his unpretentious charm and carrying an otherwise forgettable movie.

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Nick is a sentimental, music-loving high school senior who has just been dumped by girlfriend Tris (Alexis Dziena). Devastated, Nick spends his time moping around, sequestered in his room burning mix-CDs for his ex in an effort to win her back. But the self-absorbed Tris, happy to be rid of Nick, promptly deposits each one in the nearest trash can when it arrives.

When Tris drags friends Norah (Kat Dennings) and Caroline (Ari Graynor) out for a night of clubbing, their first stop is the bar where Nick and his band are playing. At the club, Norah randomly picks a guy out of the crowd to be her “pretend boyfriend” in response to Tris’s bragging about her own new relationship. Unbeknownst to Norah, the guy she picks is “Tris’s Nick.” High jinks ensue.

Nick’s band-mate buddies sense that thoughtful, music-loving Norah is a better match for Nick than the shallow Tris, and begin orchestrating a way for Nick to spend the evening with Norah.  Tris, jealous of their connection, decides she wants Nick back and takes on the role of romantic foil.

At this point the plot takes a back seat to the group's wandering around New York City, alternately searching for the now drunk Caroline who goes missing, and looking for the elusive indie rock band “Where's Fluffy,” while spouting witty dialogue back and forth to one another. Cera and Dennings have great on-screen chemistry, but the dialogue is not as funny or clever as other recent independent film hits like last year’s Juno.

Still, if you can stomach the idea of a bunch of teens club-hopping around the big city all night long, Nick's and Norah’s up-and-down relationship has a certain charm to it. The film implies some thoughtful ideas about music and how it can connect us to one another. Norah, who without Tris’s knowledge, has been rescuing Nick’s CDs out of the trash, calls Nick her musical soul mate. You find yourself wanting these quirky kids to make it, but in the end, you know if you checked back in a year they will have broken up and gone their separate ways.

Content Provided by: http://www.crosswalk.com

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WHAT DO YOU THINK?
  • 8bitbreakfast 10/3/2008 4:45 PM
    As christians should we be watching movies like this? Legalism isnt my goal but the living out of what christ has done. Calling out of the world the support of Godless movies seems to be in direct conflict with Gods word
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